You know the drill, so let’s cut right to the action from SPAC2.
“Crowd Control” starts off in its now-traditional show-opening slot (it has opened the show in each of its six appearances since Phish returned to the stage in 2009), giving way to a spirited if standard “Chalk Dust Torture,” the first repeat of the tour. “The Wedge” and “Funky Bitch” maintain an upbeat and solidly played opening stanza.
“Heavy Things” saw some minor vocal struggles from Trey but was otherwise well-played, and was followed by a one-two punch from Farmhouse with an unexpected “Bug,” the first performance of the song in the first set in over a dozen years (9/25/00, Bonner Springs, KS). The first set seems like a potentially better fit for “Bug” – a song that many fans (including this one) love, but that can often fall fairly flat when positioned in the more common prominent, late-second-set or encore slots. “Bouncing” offers a breather before “Tube” that teases at some delicious grooves that could have offered the first extended improv of the set, but is cut far too short (and even at 6:44 is comparatively long for 3.0). Then the best “Julius” EVER... hint: they are all the “best ever” – “Julius” rarely varies, and always rages.
Frankly, the set could well have ended right there. It would have been a little short at a shade under an hour, but you could have put this one in the books and it would have already been an improvement on the pedestrian and often sloppy first sets offered in Bangor and SPAC1, even without an improvisational highlight. But then they dropped the big one. “Split Open and Melt” has been relatively tame in recent years, despite always being pregnant with the massive potential so often demonstrated “back in the day.” The “Melt” offered here, however, is precisely why, for this fan at least, Phish is a hobby – nay, an obsession. Clocking in at almost nineteen minutes, this monster leaves the tightly woven structure of the song proper and meanders, patiently, through multiple cycles of pure bliss.
While many “out there” “Melt” jams tend to be chaotic and/or dark, this one weaves a tapestry of soothing melodic beauty, and was eerily reminiscent of the “Light” jam from the night before. While the versions offered on 10/20/10 Utica and 8/18/12 BGCA jump to mind as reasonable contenders for which arguments can be made, this was IMHO hands-down the best “Melt” jam segment of 3.0. If you haven’t heard it yet, do it now. Yes, the ending was as horrible as the rest of the “Melt” was transcendent... and frankly the opening composed section was not nailed, either; but when the jam crushes skulls like that, those are matters for the historians. You go that far out, there is no graceful way to ease back into that ending, and needless to say most fans will take that problem every day, and twice on Sunday. Fishman in particular seemed to be getting quite the chuckle out of this post-orgasm train-wreck. Good times!
As if it needed a novelty, for those enjoying the gig from the couch on the official webcast, this “Melt” featured... FIGHT BELL CAM! I’m imaging Mike walking in on some (probably-non-existent) webcast production meeting... “hey, guys, so I had this great idea, we’d have a camera, see, and it would just be on my fight bell; wouldn’t that be neat?” Sure, other bands can jam, and other bands offer webcasts, but does any other band offer a dedicated camera on the bass player’s fight bell? You can bet your ass they don’t! L-o-v-e this band!
After an intermission of precisely 15 minutes, “Backwards Down the Number Line” opens set two. I don’t want to play Debbie Downer, but I’m going to vocalize what a lot of fans think, but are seemingly afraid to say because, well, who wants to be the person to shit on such a happy song? It is always someone’s birthday; maybe the band could resolve to play the song, say, once or twice a tour, on behalf of all the birthdays that take place around that tour? I like “Number Line,” but it seems just a wee bit overplayed (every three shows since its 2009 debut). As always, YMMV.
In any case, “Tweezer” then opens up the jam festivities. Oddly skipped at each of Phish’s twelve previous SPAC performances, hopes rode high, and the possibilities seemed great early on for cosmic lift-off... until Trey’s deployment of the rip-cord, the first jarring premature endjamulation of the tour. Nothing ‘wrong’ with this “Tweezer” but as “Tweezer” goes, this one gets the job done, but little more.
If you are going to pull the rip-cord off the truck, at least in this case it was in favor of the fan-favorite, “Sand.” “Sand” always brings the heat, and in this case it did so at a significantly faster tempo than others of recent vintage. Allowing the crowd to boogie til their butts hurt and sweat out the little remaining fluids from the days' heat, “Sand” made way for a scorching “Carini.” Now, let’s recall that every version can’t be “the best” version; it doesn’t work like that, Phish songs don’t work like a perfectly modeled sales projection chart. But with “Carini,” sometimes you wonder. Regardless of where this version falls in your personal “best of” list, the fact is that, especially of late, “Carini” is money in the bank. Just look at the last few: Bill Graham, Dick’s, MSG – all monsters. SPAC2 absolutely takes a seat among that rarified air. While there isn’t a single dominant “must-hear, best-ever” version of any single song in this set, the “Sand” > “Carini” segment taken as a whole, really does deserve your attention for a dedicated listen.
The moving outro to the “Carini” jam then featured a slick segue into “Architect,” the first Phish performance of a tune from Trey’s 2012 album, Traveler. Traveler isn’t everyone’s cup of tea, though it is certainly mine, adult contemporary overtones notwithstanding. TAB has always been and will seemingly remain both a viable artistic outlet in itself, as well as an incubator for new Phish tunes. So if you haven’t had the chance, give Traveler a listen, or if you dismissed it on a first listen, give it another shot. Both “Corona” and “Frost” from Traveler were sounchecked in Bangor, so one can reasonably expect more from this record as we move further into the tour.
The rest of the set... was fun, rocking, Saturday Night crowd-pleasing, but not much to write home about. “Wilson” > “Boogie On” (with vocal flubs so bad that they were great, leading to basically the whole band cracking up) and then “Possum.” Insert your own commentary on the placement of the marsupial in this second-set closing slot... wouldn’t have been my call, but that is why I’m just some dude on the couch. “Show of Life” takes us home to the inevitable and always balls-to-the-wall “Tweezer Reprise.”
Overall? Darn good Phish show, very enjoyable, to these ears the most consistent of the three so far in 2013. While not demonstrating the cohesion and “wholeness” of the excellent (if criminally overrated by some) SPAC1 second set, this gig had fewer lows, exceptional highlights (“Melt,” “Sand,” “Carini”), a debut (“Architect”), and did I mention FIGHT BELL CAM!?
So that’s a wrap... we’ll see y’all back here tomorrow to recap SPAC3. If you are attending the gig tonight, be safe, stay hydrated, be aware of your surroundings and how your actions impact others, and have a blast!
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2. Miner is the criminal fluffer. There, I said it. Always good for a chuckle but 'best' of 3.0? Laughable.
3. Dear lord that Split.
Nice recap, @pzerbo!
Trey needed to slow down a bit on his transitions. Homeboy was itching to change songs like an ADHD kid listening to the radio. Hahaha.
PYITE opener tonight, or STFTFP.
nobody cares who overrates which shows. this isn't middle school.
*Premature endjamulation...love it!
Did anyone notice Page's piano work during Tweeprise? There were definitely some new chops being displayed by Leo that had a very Meter-esque quality to them. He apparently picked up some new tricks playing with the Meter Men this Spring and it shows.
Does anyone know what exploded on Trey during Boogie On? It looked like something got tossed to the stage and blew up, which is when Trey laughed and was like, "What the Hell?" in the middle of the second verse. Not to sound preachy, but it's not cool to throw stuff at people on stage. The band doesn't like it and it will only lead to more stringent security checks down the line. Do us all a favor and knock that shit off. Thanks.
Now all we have to do is get Show of Life from the encore slot to mid first set as well
As for Carini, it's been a grand jam vehicle for quite some time. MSG '11, the VT storm benefit, Dick's 12... MSG 12.... are there any bad versions? The song used to scare me, but it's been a tour de force.
Healthy Phish.
And that TUBE! It sure was nice to see them attack that song in a way they haven't in years
SPLIT THE FUCK OPEN AND MELT
Now all of the electric lights are removed and I don't understand why? Has CK spent too much time on the Bieber tour? Don't get me wrong, I know it is all about the music. However, if you are going to have lights at all, then make them strong and psychedelic please!
Now all of the electric lights are removed and I don't understand why? Has CK spent too much time on the Bieber tour? Don't get me wrong, I know it is all about the music. However, if you are going to have lights at all, then make them strong and psychedelic please!
I heard CK5 is actually working with Bieber for lots of money and the guy from Umphrey's McGee is doing lights right now. I don't know if this is fact, but it would help explain the slimming down and overall change of the lighting rig.
Very good recap otherwise, @pzerbo.
Flubs... psshh.
You can get a great deal on Phish tickets a lot of places. The first year at Portsmouth - a venue that holds all of 6,500 mind you, I got a ticket for 15 after passing dozens for face. My last 5 shows not including MSG, I haven't spent a combined $100 on tickets.
As for the show..
I'm fine with the flubs.its like a 97 kind of flub. They routinely butchered songs then too. Parts of 2011 and 2012 seemed like the best they'd played their songs since 1995.
I'm noticing Trey botch some stuff in songs, but nothing that takes away from the show for me. He has been really interesting in the jams,
Anyone feel like Page might be the de facto leader in jams now? Mike took point most of last year. Now it seems like Page is the one who will do the melodic shading that sends a jamin a new direction. And I'm pretty excited that despite all the messy bits of songs, their Improv is still on that 2012 level that I've found shockingly impressive. The Melt and Carini and Light and even Drowned and Jim to a lesser extent are really showcasing that same kind of "Everything we have learned" synergy. Where all the parts of the jams are spacious and rhythmic like the late 90s but they hit on 5 ideas in 2 minutes like the early 90s. The way these jams flow from section to section blows me away.
It's worth asking- what if these shows end up being on the weak end of this tour? That would be amazing. I felt like something clicked from Bethel through the first week in 2011, then again at UIC and Dicks and on the west coast.. 2012 - especially leg 2 had some of the most and least interesting shows in a decade within a few days of each other. What if? What if we reached a point where a show with this Melt and Carini is average? And
not-super-experimental but unique nonetheless jams like SPACs Tweezers and Sands are like the B Team highlight?
Heavy Things is great. 2000 me would be so perplexed at my passion for Heavy Things, Farmhouse and Roggae. But hey! Those songs are amazing lately, what can I say?
HARUMPH!
Dude, they where talking about Bug being played in the first set......