Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
as for the notion that each opinion is like a beautiful little baby brain creation, unique as a snowflake and worthy of exaltation; well thats just nonsense. each person as a human being is entitled to his/her own opinions, but that does not mean that i or anyone else am obliged to respect them. i respect your right to have them, but it simply doesn't follow that we should all equally respect the subjectivity of a response to art. i would respect heidegger's views on the being of the object of art in relation to Being in general quite a bit more than someone going to a museum and responding, "totes hetty brah." i see this a lot in the jamband community: that opinions are purely subjective and thus cannot be measured in any analytic sort of way...
anytime there is context provided in opinions, or references to how phish used to play, or how they are playing this tour, etc; we delve into the world of analytic assessment which is based on a response to actual factual artifacts. this sense of contexting is provided in nearly every review and implies an analytically generated starting ground to even be on the same page when speaking on a subject. the implied consensus or relation factual objectivity informs one's opinions in combination with the objective stimulus of the actual show reviewed. one's emotional response to a show has it's own internal logic that can be examined and discussed as to cognitive validity. i.e. "i hate the song caspian thus the whole show was bunk." oversimplification, i know, but you get the point i'm making here.
that person's response to the art had clear internal disconnection between stimulus and rational response. the devaluation of reflective thought is apparent whenever people make claims that one's opinions are subjective and thus one person cannot have greater insight than another. why not fire all the college professors, round up some bums and have them teach the students? would bail out many a school's budget problems. another hyperbolic example, but you see what i'm getting at here. a further extension of censorship is the devaluation of the legitimacy of knowledgeable responses into one giantly inflated pool of "opinions" because it stifles actual thought by immersion into a sea of information. more and more is being said with less and less actually said. dude, that's just your opinion tho bra!
sorry for the rant, just bugs the bejesus loving shit out of me when i see this kind of thing posted. and its posted in these threads more than anywhere else. aside to lonesome sparrow: would love to hear a hermeneutic description not castigated to nihilistic relativism.