Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
I'm not sure how I feel about that Hood. The rest of the guys seem so confused by Trey's aggressive atonal stabbing.. I haven't heard it in awhile though.
St. Louis is the forgotten show though.. Holy crap that second set is fluid. I love the Limb exclamation point.
And i feel that the uninteresting rock jam and bluesy coda are the same thing, aren't they? I love how restrained they slip into rocking harder, nice and patient, no shredding. but the little part at the end is part of the same theme they're into by around 17 minutes, Page really lays into it around 20 though.
This doesn't seem uninteresting to me at all thou
I guess it isn't Chicken Shack, but I'm surprised i haven't seen anybody else mention it.