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i say it's a 'set killer' in the sense that *for me* (and for lots of other folks) the first few minutes of the song are really tiresome, and they tend to happen at peak emotional moments -- trey relates differently to it than i do, christ knows. the mild cheek of the lyrics mismatches painfully, *to me*, with the sluggish music. there *are* profound phish songs, but bug goes for a little lyrical trick ('which did you think i meant?') instead of going deep.
i think there are some songs that trey feels so deeply that his sensitivity to their musical 'appropriateness' is reduced.
for me, Light is a more interesting song in the same vein -- but it's actually *alive* as music. Piper, to me, *embodies* (but doesn't lyrically evoke) the same rolling cyclical all-is-continuous feeling as Light, though the lyrics are just musical elements (meaningless as words).
and i don't mind stupid phish songs -- Steam has unbelievably bad lyrics too, but they fit superbly with the ever-increasing tension of the song's written part (which dissipates partially *as steam*, get it?). the whole song works. but SofL and Bug don't light anything up for me, and there are lots of phish songs that fit their roles in a second set without jarring lyrically.
also, fuck that bertoletdown guy.