Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
My question now is: if these few songs were the only "good" things about the show, that is based solely on the jammed out/major improvisation songs. If that's the case, then 75% of all Phish shows suck then, considering Bouncing and Waiting all Night aren't major "jam" vehicles. I appreciate these opinions and I totally get it, but lets look at reality here: Phish is not, and has never in their career (minus some rare occasions in 1997) played only major jam songs for the entire show. That means songs in the first set are worthless filler on the way to the typical Stash or Wolfman's or Reba or Sky that we hear in the first set and always comment as being "the saving grace of the first set, before (place those songs here), the set was dragging."
Playing that many new, good songs in the first set looked like a major game changer to us. Probably the most original and different first set since...2009 when Joy came out and we had new, unpredictable songs in the first set to change the pacing and vibe/feel?