Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
it's awesome, and i think all the more so because the tweezer sounds like truncated bits of territory covered in CDT regularly - praise - and that it's caspian - my favorite, by far, since 9/14/00 (also an awesome set in total, and one in which, like @Mr_Draned says, Trey employs a swirling, underwater effect/tone) - that sets the couplet apart....
i also think it's cool that the segue is debatable (as opposed to the blossom CDT-> Tweezer because so many people, upon hearing those chords, start in with the 'aw man' vibe, only to be lifted by that crazy bending and transcendent peak rising....
i agree....
it's some of my favorite phish - and i'd toss it back to whenever....