Phish is once again giving their music to fans at no charge. Live Bait Volume 9 is now available at LivePhish. It includes MP3's selected from Phish's past shows at most of the venues, or in the cities in which, Phish will be performing this summer. Thanks are also due no doubt to Phish Archivist Kevin Shapiro for helping to release yet another Live Bait.
Here is the track listing of Live Bait Vol. 9:
1. Foam 11/2/94 Bangor, ME
2. A Song I Heard The Ocean Sing 6/19/04 Saratoga Springs, NY
3. The Moma Dance 7/6/00 Toronto, Ontario, CANADA
4. Split Open And Melt > Kung > Jam 7/15/99 Holmdel, NJ
5. Mike's Song > Twist > Weekapaug Groove 7/9/99 Columbia, MD
6. David Bowie 6/15/95 Atlanta, GA
7. AC/DC Bag > Ghost 11/7/98 UIC Pavilion - Chicago, IL
8. Tube > Slave To The Traffic Light 7/16/98 George, WA
9. Undermind 8/31/12 Commerce City, CO
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The Drew's Jam in Mike's is great proto-plinko. The Melt Kung Jam sequence I've not heard for years and I had forgotten how chaotic and creative it is.
[How often does that happen to you all? As much as it does to me? There are just too many titanic jams that have taken place in the context of not-so-notable shows, and I think it's just impossible for me to ever feel like I have a complete understanding of just how much awesome this band has pumped into the universe. I heard a serious head recently say that he had never heard the Chula Vista Boogie On, and I completely understand that.]
I came to that realization while undertaking a massive Operation Skim Through Everyshow, on the hunt for things like the VA Beach 99 Fee (is that available in an sbd form yet?) and 7/26/97 Timber, 4/4/94 and 9/22/00 It's Ice.. Those rare times something unique got stretched out. After awhile it's like "Oh! There are maybe 50 instances of something like that happening tops".
And then all the "jam vehicles" that people get upset about not having jams anymore, the Halleys, Jim, Gumbo, Bag, Roses, 2001, Boogie, Sally, Chalkdust, Ya Mar, Tube, Timber, Twist, Simple, Birds, Cities, Free, Wolfmans, Suzy class of star destroyers really only had 5 to 15 blowout versions a piece.
Hell. Not to be a size queen, but that day you realize that there's only one 20 minute Antelope (not including when other songs are inside) is a weird one. Like really? Wha? Huh? One? From Phoenix "I can't believe they released that one Ventura show instead of this stellar 7/29 or the other Ventura show- bowie cities bowie sbd was already circulating for crying out loud!" 97?!
This isn't a gripe at all. Just thinking about Phish. I like that this set has some bombs from late 98, 99, July 00 and 04. Some stretches rightfully thought of as the least inspired in that Hamburg -> Coventry stretch. Just goes to show that they still produced absolute genius improv when their bigger concerns were dope or uhh, learning how to play Been Caught Stealing. And those highlights from those tours, while great, sound like a JV version of the interplay going on in that fabulous Undermind. A song that blessedly came into prominence after feeling forgotten for so long. I'm a big proponent of 2.0 trumping the post-Lenonwheel pre-Cypress age as far as improv goes, but in 2012 they're on a whole different plane when they want to be.
Here's to 30 more years! In an age when nothing falls through the cracks, when Phish is a song nailing jam blooming goof balling triple threat like they haven't been since the halcyon days of 95. Since Bethel (a weekend I seem to hold in significantly higher esteem than most. The first 2 nights anyway) it has felt like they were slowly ramping up a re-evolution of Total Package Phish. I don't have the slightest shadow of a doubt in my mind. If Phish chose to make 2013 as improvisationally inclined as 97, 93 or 04 they'd leave the year peppered with shows that rivaled the best they've ever played. I'm in a real happy place with this band, and Live Bait 9 brought me back into the fold after going on Phish listening hiatus since the winter.
Go Wizards. Go Phish. John Wałl for president.